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The Flow of Creation
Peace settles over me in the most soothing way when I venture into the Blue Ridge mountains. The trek up here always ignites a fire in me (and my accelerator). I love riding the curving mountain roads, and these days my GPS provides a new perspective, disclosing the upcoming hairpin turns. What fun!
Once I'm here, I relax and sink into the green mountains and fresh tree-oxidized air. Everything feels new and fresh and familiar and old at once.
From this place, I write, finding that the words flow with little effort. So each year, I agree to the excursion and pack my writing materials, good books for inspiration, and a plan to write.
Some of my best material began in these mountains, ideas that unroll like they spill down the side of a mountain and into my innermost creative thoughts. I would stay here longer if I could, but reality claims me and soon I must go.
Until then, I will write and breathe and live the joy of creation.
Where do you escape to write? What places inspire you or give you the fresh perspective that completes you?
In my last post, Character Development: the Johari Window , I introduced the Johari Window as a tool for developing your characters. It's important that your character not know everything about their situation. These unknowns can lead to an intriguing story and create possibilities for conflict within the story. How do you use the Johari Window? In this post, I thought I'd provide a simple example of the Johari Window with a character most people know: Harry Potter. Below, I have filled out the Johari Window as it might appear within the first few pages of book 1, Harry Potter and The Sorceror's Stone . The Johari Window based on Harry Potter and The Sorceror's Stone Three of the quadrants in this window reveal what Harry doesn't know about who he truly is and what happened to his parents. I could add a lot to the quadrants representing what he doesn't know, but I hope this gives you an idea on how a Johari Window might be used. What do you d
For those of you looking for my post on National Buy A Book Day, scroll down below this post (after you read it). In this post, I'm responding to the first challenge in the Platform Building Campaign. Here are the guidelines followed by my story: Write a short story/ flash fiction story in 200 words or less, excluding the title. It can be in any format, including a poem. Begin the story with the words, “The door swung open” These four words will be included in the word count. If you want to give yourself an added challenge (optional), use the same beginning words and end with the words: "the door swung shut." (also included in the word count) Absence The door swung open, creaking on unused hinges. Rachel leaned forward and studied the man slumped in the chair across the room. “Sam?” Her voice croaked. She swallowed and tried again, a little louder. “Sam?” The balding, elderly man jerked awake, snorting. She giggled at the memory of the sound. H
Last week’s post celebrated several conflicting interpretations of a flash fiction piece I wrote. Unfortunately, we rarely experience miscommunication issues with joy. When I speak, I want synchronicity of understanding with my audience. Is that hard to achieve? Yep! An incorrect interpretation creates a miasma that fills in the lacuna in our words. Did you understand that sentence? You might try to interpret what I meant through context, or maybe your mouth oscitated in shock, while you thought, “Barbara's talking about communication issues, and she tosses difficult words in the mix?” A simpler version of my sentence above might be: An incorrect interpretation creates a stinky mess that fills in the gaps in our words. (FYI, oscitated means gaped .) Simpler words increase the chance you’ll mirror my meaning, but they don’t guarantee it. We bring our own experiences to the conversation, throwing everything off because the significance of a word for me is different